The Wrong Impressionist
In this lecture, Gearóid Arthur Hayes opens up the investigative process behind one of his most significant recent discoveries: the reattribution of Portrait of a Lady Seated at a Writing Table from Walter Frederick Osborne to John Butler Yeats. Through detailed stylistic scrutiny, comparative analysis, and extensive archival research, Hayes reconstructs the painting’s true authorship and historical context. He will also share several of his other recent reattributions, including works by John William Waterhouse and William Orpen. Hayes concludes with a critical assessment of connoisseurship’s current position in Ireland, advocating for a renewed engagement with the materiality of artworks as a foundational component of art historical inquiry.